TRIAD OF THE MOON:
ARTEMIS: She is the Goddess of untamed nature. Central to her worship are ecstatic dances and the
sacred bough, probably derived from ancient moon tree worship, the source of immortality, secret
knowledge and inspiration. Artemis assists females of all species in childbirth and gave the name artemisia
to the medicinal herb now called mugwort, which is used to encourage delivery. She was worshipped
throughout Greece, but was most popular in Arcadia where she lived in the wild forests and was the most
virginal of the Goddesses. Another important site for her worship was Ephesus in Anatolia where her
qualities of Mother Goddess were emphasized. Two early forms of Artemis were Britomaris of eastern
Crete and Diktynna of western Crete. In Olympian myths Artemis is Apollo’s sister and she takes on the
role of patron of hunters.
SELENE (also called Mene): is the moon Goddess who pulls the full moon across the sky with her
chariot. She usually drives oxen or steers, or sometimes horses. In her early forms, she is conceived as a
cow with the ancient “horns of consecration,” which form the crescent moon. Little trace of her worship has
survived.
HECATE: Goddess of the waning and dark moon, she has chthonic associations and rules over ghosts
and demons. Ritually prescribed food known as “Hecate’s suppers,” were offered to her as a form of
purification and her image was set before homes to avert evil. She is adept at sorcery and is called “the
mother of witches.” At some places in Greece, Hecate’s torches were carried around the freshly sown
fields to promote their fertility. In Olympian myths she is the daughter of Hera and Zeus.
HERA: She is the Goddess of women and fertility. She is connected to the three stages of a woman’s life—
maiden, fertile woman, elder. She is also connected to the three phases of the moon, which in earlier times
women’s menstruation cycle followed closely the moon’s phases. Hera was worshipped throughout
Greece, but her chief center was at Argos. She presided over “the sacred marriage,” the merging of the
lunar cow and solar bull, which was a celebration of renewal and fertility in nature, especially of the soil. At
Olympia the Goddess’ Heraion long predates the temple of Zeus where women ran races from the
beginning of time. Runners were selected from three age groups representing the three phases of the
moon. These girl’s races of the feast of Heraia held every four years pre-dated the boy’s races by many
years. In patriarchal mythology Hera becomes the wife of Zeus and is portrayed as a jealous, vindictive
wife. When the conquering Northerners pass from Dodona to Thessaly, Zeus drops his wife Dione at
Dodona, and in passing from Thessaly to Olympia, he marries Hera--the conquering chieftain marries a
daughter of the conquered land. Though Hera is portrayed as troublesome, in reality she reflects the
turbulent native princess—coerced but never really subdued by an alien conqueror.
ATHENA (or ATHENE): She was originally a Cretan Goddess who watched over the home and town.
Attributes of fertility and renewal are revealed in her association with tree (or pillar) and snake symbolism.
Athena is patron of wisdom, arts and skills—she especially protects architects, sculptors, potters, spinners
and weavers. She was also Goddess of the matrifocal Pelasgoi of Peloponnese. In addition to her strong
following on Crete, she was worshipped at the Pre-Hellenic sites of Argos, Sparta, Troy, Smyrna,
Epidaurus, Troezen and Pheneus. When the Mycenaean princes of the mainland adopted and adapted
Athena, she became the shielded defender of their citadels, particularly Athens. In Olympian mythology
she is firmly established as the cold, rigid Goddess of war. Her matrifocal Cretan origins are so
suppressed that she is portrayed as a daughter born without a mother, having sprung fully armed from
Zeus’s head.
DEMETER: She is the Grain-Mother, the giver of crops. Her origins are Cretan and she has been strongly
identified with Gaia and to Isis. Every autumn the women of early Greece observed a three-day,
agricultural fertility ritual, the Thesmophoria, in honor of Demeter. The three days were called the
Kathodos and Anodos (Down-going and Uprising), the Nesteia (Fasting), and the Kalligeneia (Fair-Born or
Fair Birth). The Thesmophoria, the Arrephoria, the Skirophoria, The Stenia and the Haloa were rites
practiced by women only and were of extremely early origin. They later emerged as the Eleusinian
Mysteries. These Mysteries were kept secret, but may have to do with crops and the Rite of Initiation—
those who partake of the rite have better hopes concerning the end of life. Demeter is sometimes
compared to Isis in that she was a Queen of the Underworld because as an Earth Mother, she could pass
between the two realms. At certain places in Greece, she was worshipped as “Demeter Chthonia,” and in
Athens the dead were called Demetreioi, “Demeter’s People.” She not only brought all things to life, but
when they died, they were received back into her bosom.
PERSEPHONE: She is Demeter’s daughter, the Kore, or Grain-Maiden who embodies the new crop. As
the daughter of Demeter (the Maiden form), Persephone may have also ruled the Underworld. The
Olympian story about the “rape of Persephone” is not part of the original mythology. This may be a
historical reference to the invasion of the northern Zeus-worshippers. The original myth is very ancient
and is a widely revered story of mother and daughter. It long pre-dates the Judeo-Christian deification of
father and son.